I am a self-taught decoupage artist who creates modern and unique pieces that are nothing like your grandma’s decoupage. I create my art pieces with layers of paper on the exterior of a glass surface. I seal the design with many layers of high gloss varnish for a glass like finish. My sometimes precise, patterned or abstract designs start digitally with one main component that I build from. Every part of my designs are sized, printed, cut out, layered, glued and sealed to the glass.
Laurel Grey
Onalaska WI
Laurel Grey Glassworks
http://www.laurelgreyglassworks.com
2021 Booth #98
Contemporary painted & kiln fired stained glass that includes glass leaf strands, sculptures, layered window & wall panels. Pieces also incorporate natural elements such as stones, driftwood & wire.
Sara Rezin
Colorful glass and glass powders are kiln fired, cold worked and shaped, and may be accented with glass enamels to create glass trays, sculptural and wall art.
Isaac Theobald
Cedar, MN
2020 Booth
I use both hard and soft glass to create utilitarian and sculptural work. I try to meld traditional techniques in torch and furnace working with more modern designs. I work extensively with color and pattern using many ancient Venetian techniques such as encalmos, canework, and murrini, renewing them with modern forms and uses in mind. I also do some glass fusing, mostly fusing metal foils between sheets of glass, and sometimes including these elements in blown work.
Ken Patzoldt & Jo Manbeck
Designs created by cutting, forming & shaping glass, rimming each piece with malleable copper, achieving a bondable edge via solder, allow 3-D assembly with torch & iron. Hand rubbed patinas & surface with inclusion of metal,wood & stone maximize the translucent & reflective qualities of these components
Jeanine Huot
I cut glass into numerous pieces. It then can be ground, melted, slumped and/or fused to create many pieces. Each time in the kiln can take up to 12 or more hours. I love to use a lot of dichroic glass.
Mary Ila Duntemann
I create art glass beads.
My glass beads are constructed hollow and then surface decorated using materials including handmade glass shards, handmade frit (crushed glass), reactive frit powder and silver fuming. My beads are then tumbled in a rock tumbler to achieve a soft, smooth, matte finish. Finally, the beads are hand-buffed with a homemade bead luster butter made from olive oil and beeswax.
My beads are made to be held and my beads are made to be worn.
Todd Cameron
Minneapolis, MN
http://threatlevelorange.org
2018 Booth # 74A
Individually unique works of hand blown and sculpted glass art. Often incorporating steel or copper.
Nicholas Bowers
Mequon, WI
2018 booth #74A
Hand-made, mouth-blown fine art glass. Designed and intended for indoors as well as out.
Greg Dinauer
Madison, WI
2018 booth #35
2 and 3D laminated glass sculpture using flat colored glass, glued with adhesive
Berry Davis and Colette Fortin
Celina, OH
2018 booth #57
Solid glass sculpture with an ocean theme. Individual interior parts are sculpted on the punty,assembled,encased in clear glass, and hand shaped while hot.[no paints or molds used] The materials used are glass, glass powders [for color] glass frit, precious metals, and gemstones. We grind, coldwork, and hand facet our pieces using high speed diamond wheels.
Chad Balster
My techniques are based in medieval and renaissance techniques. I enjoy the visceral quality of the “Waldglass” in Central Europe’s Glasshouses from the 5th Century CE. This is where I’m inspired to create the “Pod” series with their blown bit decorations. I want these pieces to feel alive and full of movement.
I also draw from Renaissance era Venetian glass masters’ forms and decorations of millefiori color chips. My "Mille" functional drinkware honor this heritage and are perfect for one’s palace celebrations.
I want to fuse the past with the present to forge a new future in glass.
Teresa Soriano
Mosaic Art Professionals
Middleton, WI
2019 Booth #5
www.etsy.com/shop/warmglassbyteresa
I begin my pieces with color exploration and then the patient creation of confetti and layering. I heat, cold work and sculpt with multiple 24 hour fusing cycles. My inspiration comes from how a piece may be interpreted by others therapeutically or energetically. I adore playing with light and reflection and bringing color to life with the translucent and opaque nature of fused glass to create original art glass.
Jim & Julie Vermeer
Vermeer Glass Art
Humboldt, IA
2020 Booth
We create kiln-formed decorative glass that is either fully fused or tacked fused to provide texture and depth. We may sandblast the piece to provide a matte finish. Many of our pieces are wall hangings. Magic is the only way to describe what it's like for us to fuse art glass. When a glass piece goes into the kiln for firing, its appearance is how it was assembled. But....after firing and opening the kiln, the kiln gods have given a gift which may or may not bring forth an "Ahhhh!".
We take great pride in our handmade fused art glass and we enjoy the creative process involved.
Michael Thompson
Batavia, IL
2017 booth # 136
Glass sculptures,and vessels; multiple layers of glass,kiln formed and cold worked.With glass bases
Jeff Sorensen
Jeff Sorensen Glass
Minneapolis, MN
2023 Booth #122
Raw. Sharp. Dangerous. Glass is the prose of the soul, brought to life by the breath of its creator. Each piece has its own story, its own charm, its own identity. Whether it is an elegant wave, a hard edge, or a smooth sphere, every piece is hand-blown to challenge preconceptions, inspire the future, and instill a sense of place.
I strive to blend the techniques of the masters, while testing my physical stamina, in new and exciting ways. Blowing glass requires strength and knowledge; strength to not allow the piece to rest and the knowledge to recognize when to beg it to stop. With my glass, I offer beauty. I offer context. I offer a reminder of what it is to be human.
I am a Minneapolis gaffer with more than 15 years of training and practice. Pulling techniques from all over the world, my roots can be found in the Swedish style of glass blowing. Using a style based on high heat and a quick pace, it is my goal to capture the human experience.
Warren Slocum
New Richmond, WI
2023 Booth # 22
Stained glass windows and mirrors, in my own oak wood frames. Some designs are in round copper or rectangular aluminum frames. Many different sizes, in styles ranging from Victorian to Art Deco. Also some kiln-formed cast, slumped, and fused glass.
Andrew Shea
Andrew Shea Glass Studio
Minneapolis, MN
2019 booth #106
My work consists of blown glass characterized by vivid colors in facetted forms.
Each piece is worked on a blow pipe out of a furnace to create the color patterns and shapes. When cool I grind the glass to shape, sandblast and acid etch the frosted parts, and polish the facets to open up the interiors of each piece.
I have been working in glass since college in the seventies. I enjoy glass because you have to plan the work before you make it but you also have to see what you have before you and deal with that. Glasswork is very hands on and very thoughtful, both aspects that I appreciate.
Jon Offutt
House of Mulciber
Fargo, ND
2023 Booth #140
Free Blown Glass with hot applied colors.
All of my work is created from clear furnace glass with applied glass frits and powders.
No paints or cold processes are used in my work.
Jon Offutt has been practicing the craft of glass blowing and building his own glass blowing equipment for more than 40 years. His backyard studio in a riverside Fargo, North Dakota, neighborhood is a favorite destination for schoolchildren who learn about the physics of glass as the only art medium that fights back, arts enthusiasts who stop by to watch Jon make art from molten glass, and art advocates who meet to plan educational and fundraising events.
The colors Jon Offutt applies to his glass vessels are composed of various metallic oxides, and they react to each other in different ways. Some are “slippery” and some are “sticky.” Jon uses the natural properties of the oxides in different combinations—and intense heat—to create his textures and patterns. Some colors in Jon’s pieces come alive when lit from within—and from those pieces Jon creates lamps and lighted sculptures.
“My work is informed by plumb bobs, fishing bobbers, anchors, bubbles in beer, kites, and icicles.”
“As a glassblower, I take great joy in fighting against gravity, but I have a deep respect for it. Even a seed can feel gravity. No matter the orientation when planted, roots reach down as the stem sprouts up.”
Robin Mueller
Brooklyn Park, MN
2017 booth # 103
My work has been described as quilting with glass, though in simple terms, it is glass on glass mosaic. I draw a pattern and then cut or snip sheet glass to the desired shapes. I also use elements that I have fused in my kiln. These range from simple drops to more intricate bargello strips. In much of my work, I also incorporate glass saucers and beads to add depth. Most pieces are finished with grout, which enhances the colors. I love to use old windows and barn wood as the base of my work.